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	<title>Naresh.Jois &#187; Ajanta</title>
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		<title>Kailasa Temple</title>
		<link>http://www.nareshjois.com/2006/12/kailasa-temple/</link>
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		<pubDate>Fri, 08 Dec 2006 07:55:50 +0000</pubDate>
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				<category><![CDATA[Interesting Stuff]]></category>
		<category><![CDATA[Ajanta]]></category>
		<category><![CDATA[Ellora]]></category>
		<category><![CDATA[Mysteries]]></category>

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		<description><![CDATA[Kailasa Temple situated in caves at Ellora, was carved to represent the Kailasa Mountain, which is believed to be the home of Lord Shiva, the god of destruction. This temple is more of a marvel than a mystery, but coming to thing, it is the largest monolithic structure in the world, carved top-down from a [...]]]></description>
			<content:encoded><![CDATA[<p>Kailasa Temple situated in caves at Ellora, was carved to represent the Kailasa Mountain, which is believed to be the home of Lord Shiva, the god of destruction.</p>
<p><strong>This temple is more of a marvel than a mystery, but coming to thing, it is                    the largest monolithic structure in the world, carved top-down                    from a single rock.                     It contains                    the largest cantilevered rock ceiling in the world.</strong></p>
<p>The scale at which              the work was undertaken is enormous. It covers twice the area of the              Parthenon in Athens and is 1.5 times high, and it entailed removing              200,000 tonnes of rock. It is believed to have taken 7,000 labourers 150 years to              complete the project.</p>
<p>The              rear wall of its excavated courtyard 276 feet (84 m) 154 feet (47 m)              is 100 ft  (33 m) high. The temple proper is 164 feet (50 m)              deep, 109 feet (33 m) wide, and 98 feet (30 m) high.</p>
<p>It consists of a              gateway, antechamber, assembly hall, sanctuary and tower. Virtually              every surface is lavishly embellished with symbols and figures from              the puranas (sacred Sanskrit poems). The temple is connected to the              gallery wall by a bridge.</p>
<div id="attachment_34" class="wp-caption alignnone" style="width: 310px"><img class="size-medium wp-image-34" title="kailasa_temple" src="http://www.nareshjois.com/wp-content/uploads/2008/12/kailasa_temple-300x211.jpg" alt="Kailasa Temple" width="300" height="211" /><p class="wp-caption-text">Kailasa Temple</p></div>
<p>More Info on Ajantha and Ellora.</p>
<p><strong>Ajanta and nearby Ellora</strong> are two of the most amazing              archaeological sites in India. Although handcrafted caves are              scattered throughout India&#8217;s western state of Maharashtra, the              complexes at Ajanta and Ellora &#8211; roughly 300 kilometres northeast of              Mumbai (Bombay) &#8211; are the most elaborate and varied examples known.              The caves aren&#8217;t natural caves, but man-made temples cut into a              massive granite hillside. They were built by generations of              Buddhist, Hindu, and Jain monks, who lived, worked, and worshipped              in the caves, slowly carving out elaborate statues, pillars, and              meditation rooms.</p>
<h4>Ajanta Caves</h4>
<p><strong>Ajanta </strong>(more properly Ajujnthi), a village in the              erstwhile dominions of the Nizam of Hyderabad in India and now in              Buldhana district in the state of Maharashtra<br />
(N. lat. 20 deg. 32&#8242; by E. long. 75 deg. 48&#8242;) <strong>is celebrated for              its cave hermitages and halls.<br />
</strong>Located 99-km from Aurangabad, Maharashtra,  Ajanta encompasses <strong> 29 rock-cut rooms created between 200 BC and              AD 650</strong> using rudimentary hand tools. Most are viharas (living              quarters), while four are chaityas (temples).</p>
<p><strong>The Ajanta caves </strong>were discovered in the 19th century by a group of British officers              on a tiger hunt.</p>
<p>Ajanta began as a religious enclave for Buddhist monks and              scholars more than 2,000 years ago. It is believed that, originally,              itinerant monks sought shelter in natural grottos during monsoons              and began decorating them with religious motifs to help pass the              rainy season. They used earlier wooden structures as models for              their work.  As the grottos were developed and expanded, they became permanent              monasteries, housing perhaps 200 residents.</p>
<p>The artisans responsible for Ajanta did not just hack holes in              the cliff, though. They carefully excavated, carving stairs,              benches, screens, columns, sculptures, and other furnishings and              decorations as they went, so that these elements remained attached              to the resulting floors, ceilings and walls.</p>
<p>They also painted patterns and pictures, employing pigments              derived from natural, water soluble substances. Their achievements would seem incredible if executed under ideal              circumstances, yet they worked only by the light of oil lamps and              what little sunshine penetrated cave entrances.</p>
<p>The seventh century abandonment of these masterpieces is a              mystery. Perhaps the Buddhists suffered religious persecution. Or              perhaps the isolation of the caves made it difficult for the monks              to collect sufficient alms for survival.</p>
<p>Some sources suggest that remnants of the Ajanta colony relocated              to Ellora, a site closer to an important caravan route. There,              another series of handcrafted caves chronologically begins where the              Ajanta caves end.</p>
<h4>Ellora Caves</h4>
<p>Near <strong> Ellora </strong> , village in E central Maharashtra state, India,              extending more than 1.6 km on a hill, are <strong>34 rock and cave              temples</strong> (5th–13th century).</p>
<p>Located about 30 Kilometres from Aurangabad, <strong>Ellora caves</strong> are              known for the genius of their sculptors. It is generally believed              that these caves were constructed by the sculptors who moved on from              Ajanta. This cave complex is multicultural, as the caves here              provide a mix of Buddhist, Hindu and Jain religions. The Buddhist              caves came first, about 200 BC &#8211; 600 AD followed by the Hindu 500 &#8211;              900 AD and Jain 800 &#8211; 1000 AD.<br />
Of the <strong> 34 caves chiselled into the sloping side of the              low hill at Ellora,</strong> 12 (dating from AD 600 to 800) are Buddhist              (one chaitya, the rest viharas), 17 are Hindu (AD 600 to              900), and 5 are Jain (AD 800 to 1100).As the dates indicate, some caves were fashioned simultaneously &#8211; maybe as a form of religious competition. At the time, Buddhism was declining in India and Hinduism regaining ground, so representatives of both were eager to impress potential followers.</p>
<p>Although Ellora has more caves than Ajanta, the rooms generally              are smaller and simpler (with exception of Kailasa Temple).</p>
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